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Song of Solomon, by Toni Morrison
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Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.
- Sales Rank: #6821 in Audible
- Published on: 2009-06-23
- Format: Abridged
- Original language: English
- Running time: 177 minutes
Amazon.com Review
Oprah Book Club® Selection, October 1996: In an effort to hide his Southern, working class roots, Macon Dead, an upper-class Northern black businessman, tries to insulate his family from the danger and despair of the rank and file blacks with whom he shares the neighborhood. The plan leads his son, "Milkman"--a named he earned after his mother nursed him well past the proper age--onto a path exactly opposite the one his father had hoped. Milkman is driven into the arms of a violent, lower-class woman, into a clandestine circle of blacks who repay white violence in kind and into an awareness that he can fulfill his own potential by understanding the mistakes of his ancestors as they relate to his own.
Review
“A rich, full novel. . . . It lifts us up [and] impresses itself upon us like a love affair.” —The New York Times Book Review
“Exuberant. . . . An artistic vision that encompasses both a private and national heritage.”
“A rhapsodic work. . . . Intricate and inventive.” —The New Yorker
“Stunningly beautiful. . . . Full of magnificent people. . . . They are still haunting my house. I suspect they will be with me forever.” —Anne Tyler, The Washington Post
“If Ralph Ellison’s Invisible Man went underground, Toni Morrison’s Milkman flies.” —John Leonard, The New York Times Book Review
“It places Toni Morrison in the front rank of contemporary American writers. She has written a novel that will endure.” —The Washington Post
“Lovely. . . . A delight, full of lyrical variety and allusiveness. . . . [An] exceptionally diverse novel.” —The Atlantic Monthly
“Morrison is a terrific storyteller. . . . Her writing evokes the joyful richness of life.” —Newsday
“Morrison dazzles. . . . She creates a black community strangely unto itself yet never out of touch with the white world. . . . With an ear as sharp as glass she has listened to the music of black talk and uses it as a palette knife to create black lives and to provide some of the best fictional dialogue around today.” —The Nation
“A marvelous novel, the most moving I have read in ten years of reviewing.” —Cleveland Plain Dealer
“Toni Morrison has created a fanciful world here. . . . She has an impeccable sense of emotional detail. She’s the most sensible lyrical writer around today.” —The Philadelphia Inquirer
“A fine novel exuberantly constructed. . . . So rich in its use of common speech, so sophisticated in its use of literary traditions and language from the Bible to Faulkner . . . it is also extremely funny.” —The Hudson Review
“Toni Morrison is an extraordinarily good writer. Two pages into anything she writes one feels the power of her language and the emotional authority behind that language. . . . One closes the book warmed through by the richness of its sympathy, and by its breathtaking feel for the nature of sexual sorrow.” —The Village Voice
“Morrison moves easily in and out of the lives and thoughts of her characters, luxuriating in the diversity of circumstances and personality, and revelling in the sound of their voices and of her own, which echoes and elaborates theirs.” —The New Yorker
From the Publisher
"A stunningly beautiful book . . . I would call the book poetry, but that would seem to be denying its considerable power as a story. Whatever name you give it, it's full of magnificent people, each of them complex and multilayered, even the narrowest of them narrow in extravagant ways."
--Anne Tyler
Washington Post Book World
"Morrison's prose is a delight, full of the lyrical variety and allusiveness that distinguish a rich folkloric tradition. Her real gift, though, is for characterization, and Song of Solomon is peopled with an amazing collection of losers and fighters, innocents and murderers, followers of ghosts and followers of money, all of whom add to the pleasure of this exceptionally diverse novel."
--The Atlantic Monthly
"Morrison moves easily in and out of the lives and thoughts of her characters, luxuriating in the diversity of circumstance and personality, and reveling in the sound of their voices and of her own, which echoes and elaborates theirs."
--The New Yorker
"Exuberant . . . An artistic vision that encompasses both a private and a national heritage."
--Time
"A fine novel exuberantly constructed . . . So rich in its use of common speech, so sophisticated in its use of literary traditions and language from the Bible to Faulkner . . . it is also extremely funny."
--The Hudson Review
Most helpful customer reviews
137 of 148 people found the following review helpful.
One of Toni Morrison's best novels
By Debbie Lee Wesselmann
With passion and a voice that sings with beautiful detail and magic, Toni Morrison's third novel, published in 1977, is a powerful tale that follows the lives of a black family and their friends living in a Michigan city. In 1931, Macon Dead III, later nicknamed Milkman, is prematurely brought into the world, the first black child born in Mercy Hospital, just after his mother witnesses the brief flight of a man determined to fly from the cupola of the hospital. Although the novel revolves around Milkman, the stories spun out from him embrace a wide variety of characters and experiences. Morrison explores the lasting stamp of slavery through the name of Macon Dead; the intimate culture of women through Pilate, Reba, and Hagar; the hunger for property and respectability through Milkman's father; the idea of one's "people" through those in the South who have not forgotten connections; the violence of civil rights through Guitar; and many more issues facing blacks of the times and today. Despite the resonance of history, this novel is ultimately about its people and their eagerly lived lives. Morrison plunges her readers into their hearts with a humanity and skill too few novelists possess. The result is a remarkably emotional and intelligent story that will stay with you for a long time.
Readers should not be intimidated by Morrison's Nobel Prize Winner status, as this novel, like most of her others, is written in startling but accessible language. You don't need an advanced degree (or even a specific race or gender) to slip into her magical prose. Her characters are real and fully realized, and feel like friends, even when you might want to shake them to their senses. Although some readers will be puzzled by the end, wanting perhaps the next sentence that explains it all, Morrison has included by her omission the real meaning of her book. Visit with it for a few moments before closing the cover.
I highly recommend this book for a wide range of readers, from high school students to adults. Even though it was written in the 1970's, its themes and characters still have relevance today. Morrison is one of the world's literary gifts, and should not be missed. THE SONG OF SOLOMON is one of her best novels.
85 of 92 people found the following review helpful.
Tears, ebony tears, that turn to type and illuminate....
By A Customer
I've read SOS going on four or five times now, floored, awestruck, enraptured each time, every twist and turn a new surprise arrives. Milkman is a wonderful archetype for a Black man searching for what he can claim as his own. His mind, his body, his sex, money? What is his and not tainted by the past, by racism, by internal family feuding? This is what I call a "Patience Book", you have to sit with it the way you would sit with a child on a Sunday afternoon. Patience. You have to breathe in rhythm with this book. Morrison is one of those few writers that it's silly to ask all of your questions of even after you finish the book. Pick it right back up and breathe, savor each page, have patience. It is not an easy read for it is literature and you are reading, truly reading. Not surfing through pulp fiction knwoing that the hero lives, the heroine is saved and everybody sleeps well on the last page. Uh uh. Patience. What else but patience could you use to understand Magdalene, Pilate, Corinthians? My all time, all time, all time favorite literary scene that chills me, tears me up, knocks me around hard and then uplifts me: Pilate at the funeral. "That was my baby, That's my baby, AND SHE WAS LOVED!"
Honey, welcome to real African American literature, impossible to translate to film for this is patience reading. Patience, free at last, free at last!
43 of 45 people found the following review helpful.
not for book clubs, but a masterpiece
By A Customer
this book is not for a reader who wants a simple plot or who is not willing to concentrate on the text and think about it on numerous levels. in fact, it may even be a dangerous book for people like that. i have heard morrison called a racist, and i have heard her called a degrader of her own race, and unfortunately this is because her work lacks the inane quality of so many other works today that fit so easily into simple categories. so many readers today want works that reinforce their own sense of themselves, that make broad statements that have already been made, such as 'racism is bad,' and that consequently make them feel good by presenting plots that include them on the side of right. this author's work is hardly aimed at such generic ideals. instead, morrison weaves tales that destroy the very notion of racial superiority, setting up oppositions that not only show in detail the horrors of white discimination, but also the devestating effects of internal attempts by black groups or individuals at creating a heirarchy of their own where they might be superior to other blacks. this novel is about the lunacy of existing through stereotypical perceptions, and more importantly the horrific consequences of hate from all sides and the redeeming qualities of love from all sides. it is about so much more, but at its simplest level, it is about being american. this book is not for everyone, but if you're willing to think extremely hard about each page, and not afraid to accept that something of yourself, no matter what your race or gender may be, is almost certainly going to be indicted within it, by all means devour this incredibly beautiful and powerful story with no self-illusions, because it will make you a better person to have done it. this is toni morrison's masterpiece, and quite simply one of the greatest american novels of the 20th century.
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